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In this brilliant study, Thomas Pfau argues that the loss of foundational concepts in classical and medieval Aristotelian philosophy caused a fateful separation between reason and will in European thought. Pfau traces the evolution and eventual deterioration of key concepts of human agency—will, person, judgment, action—from antiquity through Scholasticism and on to eighteenth-century moral theory and its critical revision in the works of Samuel Taylor Coleridge. Featuring extended critical discussions of Aristotle, Gnosticism, Augustine, Aquinas, Ockham, Hobbes, Shaftesbury, Mandeville, Hutcheson, Hume, Adam Smith, and Coleridge, this study contends that humanistic concepts they seek to elucidate acquire meaning and significance only inasmuch as we are prepared positively to engage (rather than historicize) their previous usages. Beginning with the rise of theological (and, eventually, secular) voluntarism, modern thought appears increasingly reluctant and, in time unable to engage the deep history of its own underlying conceptions, thus leaving our understanding of the nature and function of humanistic inquiry increasingly frayed and incoherent. One consequence of this shift is to leave the moral self-expression of intellectual elites and ordinary citizens alike stunted, which in turn has fueled the widespread notion that moral and ethical concerns are but a special branch of inquiry largely determined by opinion rather than dialogical reasoning, judgment, and practice.   A clear sign of this regression is the present crisis in the study of the humanities, whose role is overwhelmingly conceived (and negatively appraised) in terms of scientific theories, methods, and objectives. The ultimate casualty of this reductionism has been the very idea of personhood and the disappearance of an adequate ethical language. Minding the Modern is not merely a chapter in the history of ideas; it is a thorough phenomenological and metaphysical study of the roots of today's predicaments.   “[A] learned, deeply important, and accomplished study . . . that calls upon a set of interpretive and communal traditions that, far from being fossilized, contain radical and renovating power, but whose power can be called on, extended, elaborated, and applied to the present and future only if one knows that those traditions can and do remain alive and available, and that we ignore or pronounce them 'past' at our peril. The sweep and comprehensiveness of the work are remarkable. This is not a history of philosophy at all. It is a call for us to rededicate ourselves to a serious, demanding practice of humanistic studies.” —James Engell, Gurney Professor of English and Professor of Comparative Literature, Harvard University

"Minding the Modern is comparable to Alasdair MacIntyre’s Whose Justice? Which Rationality? and Charles Taylor’s A Secular Age. With extraordinary erudition, Pfau locates the philosophical developments that contributed to the agony of the modern mind. Moreover, he helps us see why many who exemplify that intellectual stance do not recognize their own despair. Suffice it to say, this is an immensely important book that hopefully will be read widely and across the disciplines." —Stanley Hauerwas, Gilbert T. Rowe Professor of Theological Ethics, Duke Divinity School

• Sales Rank: #725455 in Books
• Published on: 2015-02-15
• Original language: English
• Number of items: 1
• Dimensions: 10.00" h x 1.50" w x 7.00" l, .0 pounds
• Binding: Paperback
• 688 pages

Review
"By returning the concerns of the 'big books' to literary studies, Pfau hopes to deliver the humanities in general from the methodological dead ends of historicism and reductionist approaches imported from the hard sciences. . . . Whether sympathetic or hostile to Pfau's arguments, readers will find them a useful provocation. The ensuing debate, and the intellectual traditions it will engage, could help restore seriousness and urgency to the humanities." —The Hedgehog Review, vol. 16, no. 1, Spring 2014

(The Hedgehog Review)

"Pfau's book is recommended reading for humanists on both sides of the contemporary querelle des Anciens et des Modernes, and required reading for humanists whose theoretical apparatus is derived predominately or exclusively from late modern and postmodern sources. Pfau sees the proliferation of theories as a symptom of a crisis in humane learning." —Choice (Choice)

"Minding the Modern is an immensely rich genealogy and critique of modernity. For years to come, its innovative phenomenological approach promises to be at the center of debates in theology, philosophy, and other humanistic disciplines about what it means to be human and about the direction the humanities themselves should take." —The Review of Metaphysics, Issue 68.4 (Review of Metaphysics)

". . . like Charles Taylor (A Secular Age) and Brad Gregory (The Unintended Reformation), Pfau is a man equipped for the enormous cartographic task of remapping the rise of modernity. . . . Minding the Modern is not history, nor is Pfau a historian. Instead, it is an extended, historically grounded close reading of texts that an accomplished literature professor is well equipped to provide. . . . Pfau focuses his wide-ranging account by choosing the (admittedly enormous) category of human personhood, and its corollaries of will and agency, as the vehicle in which he takes his tour of the ages. His express aim is 'to capture the intrinsic idea of will and person through a series of forensic readings of representative arguments.'" —Books & Culture (Books & Culture)

"Pfau's book is rich and deserving a look. . . . Anyone interested in the history of philosophy or teaching in a humanities program should have this book on their shelves to help build their lectures, giving them a perspective to share with students that provides opportunities for questioning some of our key humanistic terms." —Augustinian Studies, 46: 1 (2015) (Augustinian Studies)

“Thomas Pfau’s Minding the Modern offers its readers one of the most substantial historical discussions now available on the relationship between human will, intellect and reason.” —The Immanent Frame

(The Immanent Frame)

About the Author
Thomas Pfau is the Alice Mary Baldwin Professor of English and professor of German at Duke University, with a secondary appointment on the Duke Divinity School faculty. He is the author and editor of a number of books, including Romantic Moods: Paranoia, Trauma, and Melancholy, 1790–1840.

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